Bon Iver – Sable, Fable (LP + 12″) – Salmon Vinyl

Album Info Hide Show Artist: Bon Iver Album: Sable, Fable Released: Worldwide, 11 Apr 2025 Tracklist: Sable, A1 Things Behind Things Behind Things 3:33 Guitar, Drum, Bass, Voice – Justin Vernon Mixed By – Justin Vernon Pedal Steel Guitar – Greg Leisz Pedal Steel Guitar [Additional Pedal Steel] – Ben Lester trumpet [Flute trumpet] – trever Hagen Written-By – Justin Vernon, Phil Cook, trever Hagen A2 S P E Y S I D E 3:29 Guitar, Voice – Justin Vernon Mixed By – Justin Vernon Viola – Rob Moose Written-By – Brandon Burton, Justin Vernon, Ryan Olson B Awards Season 5:16 Backing Vocals – Carter Faith Engineer [Vocal & Electric Guitar Engineering] – BJ Burton Keyboards, Guitar, Voice – Justin Vernon Mixed By – Justin Vernon Pedal Steel Guitar – Greg Leisz Producer [Additional Production] – Ryan Olson Recorded By [Recording Of Carter Faith By] – Tofer Brown Saxophone, Organ, Piano – Mike Lewis Synthesizer – Eli Teplin Voice [Choral Voice] – Blake Morgan Written-By – Justin Vernon, Michael Lewis fABLE C1 Short Story 1:56 Arranged By [String Arrangement], Engineer [String Engineering] – Rob Moose Drums, Sampler – Jim-E Stack Lap Steel Guitar – Alan Good Parker Mixed By – David Wrench Piano – Eli Teplin Synthesizer – Rahm Silverglade Synthesizer, Guitar, Bass, Voice – Justin Vernon Viola, Violin – Rob Moose Voice – Jenn Wasner, Kacy Hill, Sean Carey Voice [Voice Drone] – Blake Morgan Written-By – Asher Weisberg, Eli Teplin, James Stack, Justin Vernon, Kacy Hill C2 Everything Is Peaceful Love 3:30 Arranged By [String Arrangement], Engineer [String Engineering] – Rob Moose Bass, Keyboards, Guitar, Voice – Justin Vernon Drum – BJ Burton Drums [Drum Break] – Jim-E Stack Effects [Granular Synthesis] – Asher Weisberg Mixed By – Mark “Spike” Stent Mixed By [Assisted By] – Kieron Beardmore, Matt Wolach Pedal Steel Guitar – Greg Leisz Pedal Steel Guitar [Additional Pedal Steel] – Ben Lester Producer, Engineer – BJ Burton Synth [Morphagene] – Jenn Wasner Viola, Violin – Rob Moose Written-By – Brandon Burton, James Stack, Justin Vernon C3 Walk Home 3:46 Arranged By [String Arrangement] – Rob Moose Drums, Sampler – Jim-E Stack Electric Piano [Rhodes], Piano – Eli Teplin Engineer [Engineering Of Eli Teplin By] – Javier Martinez Cruces Mixed By – Mark “Spike” Stent Mixed By [Assisted By] – Kieron Beardmore, Matt Wolach Synth [Morphagene], Voice – Jenn Wasner Synth [Synth Bass], Sampler, Synth, Voice – Justin Vernon Viola, Violin – Rob Moose Written-By – Eli Teplin, James Stack, Justin Vernon, Michael Lewis C4 Day One 3:33 Bass Guitar – MonoNeon Drum – Jim-E Stack Engineer [Engineering Of Eli Teplin By] – Javier Martinez Cruces Featuring – Dijon , Flock Of Dimes Guitar, Synth [Synth Bass], Electric Piano [Wurlitzer], Voice – Justin Vernon Mixed By – Mark “Spike” Stent Mixed By [Assisted By] – Kieron Beardmore, Matt Wolach Piano, Keyboards – Eli Teplin Piano, Programmed By, Synth – Sam Tsang Producer – Sam Tsang Strings [Harpejji] – Cory Henry Voice – Dijon , Jenn Wasner Written-By – Brandon Burton, Dijon Duenas, Ilsey Juber, Jenn Wasner, Justin Vernon, Samuel Tsang C5 From 3:03 Arranged By [Voice Arrangement Of Jacob Collier By] – Jacob Collier Arranged By [Voice Arrangement Of Stout, Alaina Rose, & Josh Brown By] – Stout Bass, Keyboards, Guitar, Drums, Voice – Justin Vernon Drum Programming [Additional Drum Programming] – Jim-E Stack Engineer [Engineering Of Stout By] – Vic Steffens Guitar – Michael Gordon Harmony Vocals – Alaina Rose, Josh Brown , Stout Mixed By – Shawn Everett Voice – Jacob Collier Written-By – Ilsey Juber, Jacob Collier, James Stack, Justin Vernon, Michael Gordon , Tobias Jesso Jr. D1 I’ll Be There 2:55 Arranged By [Voice Arrangement] – Stout Backing Vocals – Blake Morgan Bass Guitar – MonoNeon Bass, Percussion, Drums, Keyboards, Voice – Justin Vernon Drums, Sampler – Jim-E Stack Electric Piano [Rhodes], Organ – Cory Henry Engineer [Engineering Of Stout By] – Vic Steffens Guitar – Alan Good Parker Harmony Vocals – Alaina Rose, Josh Brown , Stout Horns, Piano [End Piano] – Mike Lewis Mixed By – David Wrench Percussion [Brushes] – Sean Carey Piano, Keyboards – Eli Teplin Technician [Wrangling] – Asher Weisberg Voice – Danielle Haim Written-By – Asher Weisberg, Danielle Haim, Eli Teplin, James Stack, Justin Vernon, Michael Lewis D2 If Only I Could Wait 3:22 Arranged By [String Arrangement] – Justin Vernon, Rob Moose Drum, Sampler [Main Samples] – Jim-E Stack Engineer [Engineering Of Strings] – Rob Moose Featuring – Danielle Haim Guitar, Sampler, Voice – Justin Vernon Mixed By – David Wrench Performer [“Slab”] – Eli Teplin, Mike Lewis, Sean Carey Saxophone – Mike Lewis Viola, Violin – Rob Moose Voice – Danielle Haim Written-By – Danielle Haim, James Stack, Justin Vernon D3 There’s A Rhythmn 5:16 Arranged By [String Arrangement], Engineer [String Engineering] – Rob Moose Arranged By [Voice Arrangement] – Stout Bass, Voice, Guitar, Electric Piano [Wurlitzer], Percussion – Justin Vernon Drum Machine – Brian F Joseph Drums, Voice, Keyboards – Sean Carey Electric Piano [Rhodes], Keyboards – Eli Teplin Engineer [Engineering Of Stout By] – Vic Steffens Harmony Vocals – Alaina Rose, Josh Brown , Stout Mixed By – David Wrench Pedal Steel Guitar – Greg Leisz Producer [Initial Production], Engineer [Initial Engineering] – Brian F Joseph Saxophone – Mike Lewis Viola, Violin – Rob Moose Voice – Jenn Wasner Written-By – Eli Teplin, Ilsey Juber, James Stack, Justin Vernon, Sean Carey D4 Au Revoir 2:02 Keyboards, Guitar, Voice – Justin Vernon Mixed By – David Wrench Performer [Group Improvisation] – Andrew Fitzpatrick , Chris Messina, Jenn Wasner, Matt McCaughan, Mike Lewis, Sean Carey Piano – Jim-E Stack Written-By – Andrew Fitzpatrick , Chris Messina, Jenn Wasner, Justin Vernon, Matt McCaughan, Michael Lewis , Sean Carey Related Content: Info About Buying Vinyl From Our Record Store We are a small independent record store located at 211 High St, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir) We buy and sell new and used vinyl records – if you have a collection you’d like to sell please click here . We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post. Free Shipping for orders $150 and over. You can also pick up your order in store, just select Local Pickup at the checkout. We also ship internationally – prices vary depending on weight and location. We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records. In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times. If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately. We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn’t arrive we will cover the cost of replacing or returning the record. If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store. You can contact our Melbourne record shop at (03) 9939 3807 or at [email protected] Happy Listening! Description Hide Show 2LP – Indies Exclusive Limited Edition Black (LP1) & Salmon Colour (LP2) Vinyl inside a tip-on gatefold jacket with matte varnish and spot gloss, with custom cardstock inner sleeves. Packaging is printed in sable black and salmon, with custom interior floods on gatefold. Bon Ivers three-song collection SABLE, was an act of vulnerability and unburdening. Written and recorded at a breaking point, they were songs of reflection, fear, depression, solitude, and atonement. The word sable implies darkness, and in that triptych, Justin Vernon sought to unpack some long-compounded pain. Then, at the tail end of its final track AWARDS SEASON, theres the barest thread of a lighter melodya drone, a glimmer, an ember, hope for something more. SABLE, was the prologue, a controlled burn clearing the way for new possibilities. fABLE is the book. Stories of introduction and celebration. The fresh growth that blankets the charred ground. Where SABLE, was a work of solitude, fABLE is an outstretched hand. Compared to the sparse minimalism of its three-song table setter, fABLE is all lush vibrance. Radiant, ornate pop music gleams around Vernons voice as he focuses on a new and beautiful era. On every song, his eyes are locked with one specific person. Its love, which means theres an intense clarity, focus, and honesty within fABLE. Its a portrait of a man flooded and overwhelmed by that first meeting (Everything Is Peaceful Love). Theres a tableau defined by sex and irrepressible desire (Walk Home). This is someone filled with light and purpose seeing an entire future right in front of him: a partner, new memories, maybe a family. While not as minimal as its companion EP, fABLEs sound appears to walk back the dense layers of sound Vernon hid behind on records like i,i and 22, a million. Theres nothing evasive or boundary-busting about this music. Its a canvas for truth laid bare. Much of the album was recorded at Vernons April Base in Wisconsin after years of the studio laying dormant during a renovation. The albums conceptual genesis happened on 2.22.22 when Jim-E Stack, Vernons close collaborator and guide throughout the creative process, arrived at the base with Danielle Haim. Snowed in for multiple days, their voices intertwined for the ballad If Only I Could Wait. Suddenly, Haim gave voice to this crucial perspectivethe one Vernon seems to hold in sacred regard across fABLE. Accompanied by Rob Mooses strings, its a track about wearinessabout not having the strength to be the best version of yourself outside the glow of new love. Theres something undeniably healing about infatuation. Cleaving to someone else can feel like light pouring in from a door thats suddenly swung wide. But theres a reason SABLE, is of a piece with fABLE; even after you put in the work, the shadow still rears its head from time to time. On Theres A Rhythmn, Vernon finds himself back in an old feeling, this time seeking an alternative instead of erasure: Can I feel another way? Theres an understanding that even when youve reached a new chapter, youll always find yourself back in your own foundational muck. A fable isnt a fairy tale. Yes, theres the good shit: unbridled joy, trips to Spain, the color salmon as far as the eye can see. But fables arent interested in happy endings or even endings at all; theyre here to instill a lesson. As the album winds to a close, he acknowledges the need for patience and a commitment to put in the work. Theres a selfless rhythm required when youre enmeshing yourself with another person. The songand by extension the entire albumis a pledge. Hes ready to find that pace. Product Reviews Hide Show Write a Review